A great example of a branding project that makes a strong impact through its bold use of red.
A striking and bold design for a business card that uses colour extremely effectively.
A simply superb letterpress logo that makes an immediate impact.
I love the typography and the simple logo mark.
A great branding concept that takes simplicity to a new level. I love the way the mark is created from two overlapping triangles.
A solid design for a restaurant logo. I particularly like the subtle use of colour to make an impact.
A superb logo that's bright and engaging. I love the perspective of the logo and the way it grabs your attention.
An awesome example of a minimal personal logo that's instantly memorable.
I love the colours and the use of shape.
An interesting logo design that uses colour effectively and empty space in an interesting way.
A simple but effective logo that makes an immediate impact.
A strong logo that makes an impact through its distinct style and the concise logo mark.
A solid logo that uses symmetry effectively to create a memorable design.
I like the use of light colours on a darker background.
A great example of a comprehensive branding project, I like the variation and key consistent elements.
An interesting logo that makes intriguing use of shape and plays with your expectation.
A minimal hourglass logo that makes excellent use of colour.
I particularly like the shapes used for the sand.
A strong typeface makes for a bold and striking logo that sticks in your mind.
An interesting logo redesign that makes an impact through its simplicity.
I like the sense of consistent shape and the monochrome theme.
A strong logo design that makes an impact through its use of typography.
I love the use of colours here, they really help to make this logo memorable.
The curvature and sense of perspective help to set this logo design apart.
A straightforward logo that uses typography well to create a memorable design.
A solid design for a symmetrical logo that is memorable and clean.
I like the use of straightforward colours and the curvature of the lines.
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