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The folks that brought you COLOURlovers have cooked up something new and exciting: Creative Market, a beautiful and simple way to buy and sell digital creative goods online.
Join us as we jump in to see what Creative Market is all about and how they’re uniquely positioning themselves in this market.
Everyone’s favorite roast beef sandwich fast food chain (ok, maybe the only roast beef fast food chain anyone can name) just jumped headlong into a brand refresh. Their new logo, menu and website is meant to bring the admittedly old-timey restaurant into the 21st century.
The question of course is, did they succeed? Follow along as we take a look at the logo and website to see what we think.
LESS is a friendly, easily-approachable CSS preprocessor. Though ultimately, Sass and Stylus are more powerful and robust, LESS has a certain charm that keeps it as a forerunner in the battle of the preprocessors.
If you’re a Sass fan, then you can take advantage of Compass, an incredible framework that makes coding with complex CSS3 properties a breeze. But what about LESS users? Where’s their Compass? Today we’ll look at three awesome mixin libraries that will help fill that void.
Adobe recently launched a free web font service to complement Typekit, their amazing premium service. Adobe Edge Web Fonts currently gives you around 500 free font families that you can use on your site today with little effort. How great is that?
The process for implementing these fonts isn’t quite as straightforward as some of the other services that you might be used to, so today we’re going to dive in and take a look at how it all works.
Don’t you hate it when you use some important file as a template and then accidentally save over it? I used to do this all the time and it frustrated me to no end.
Fortunately, Adobe has invented these great little template file types that fundamentally function differently than your normal files to make sure you don’t screw anything up. Read on to see how they work.
Adobe and web design. They have a complicated history. I can never quite tell if Adobe is an estranged partner of web developers or an active advocate. Are they focused on empowering developers or replacing them with clunky WYSIWYGs?
Today we’re going to take a look at Adobe Edge Tools and Services, a new initiative from Adobe that might be enough to change your mind about how Adobe views coders.
For over a decade, a fierce debate has raged on about whether or not Adobe Illustrator is an appropriate tool for page layout projects. Should you really be building ads and brochures in an application meant for illustration?
The question is an interesting one, and those in the “yes” camp have always been held back by the simple lack of a “Collect for Output” feature. This has finally changed in CS6. So is the debate over? Not remotely. Read on and join the discussion.
Too often, we fall back on the same old design techniques and aesthetic feel. Why not mix it up every now and then and try something new? One technique that really seems to be gaining traction lately is the implementation of strong diagonal lines in web design.
After years of strict, standard grids that utilize clear vertical and horizontal directionality, a bold diagonal design can make a refreshing statement that’s eye-catching and attractive. Read on to see thirty recent examples of designers using diagonal lines in their work.
Twitter recently rolled out an updated design for profile pages, which allows you to insert a new “header photo” that sits on top of your feed, much like Facebook’s timeline cover image.
Today we’re going to dive in and see some examples of good Twitter profile images and discuss how you can design your own. I’ll even toss in a free template so you can get started right away.
I was recently put in an interesting position where I had to choose between my professional principles and a paycheck. As a designer, you’re probably no stranger to this situation.
What’s the right course of action? When is compromise a laudable action and when is standing firm and refusing a request the better way to go? I’ll share my thoughts through a real and personal story.
Coding HTML emails sucks. In a time where we’ve become so ingrained with web standards and CSS-based layout, jumping back in time and coding up table-based layouts with inline styling feels downright icky. In fact, there are tons of web designers who haven’t even been around long enough to be familiar with how to code this way.
Today we’re going to take a look at a new tool that promises to make life much easier for HTML email designers. With Mailrox, you upload your design, slice it up and easily transform it into a working HTML email.
The Layers Panel in Photoshop is one of the single most important aspects of the software’s UI. Odds are, you’ve spent a good chunk of your life staring at and interacting with the Layers Panel, but how well do you really know it?
Today we’re going to take a deep dive into what the Layers Panel has to offer and how to make the most of it in your workflow. We’ll learn about everything from keyboard shortcuts to obscure customization features. Whether you’re a beginner or a pro, you’re bound to learn a few new tricks!