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While working on a recent post that utilized CSS transitions, I stumbled upon some interesting revelations completely by accident. Switching up where you place the transition syntax can have a dramatic effect on how the transition is carried out.
Today we’re going to go over the various options for CSS transition syntax and how each affects the animation given whether your mouse is entering or exiting a hover.
Today’s project is silly and fun, but it does have a real point and educational purpose. In a recent article, I explored five ways to use multiple CSS background images to create cool hover effects. I had one idea in that article that I didn’t get to simply because its complexity merited a standalone explanation.
This article then is an extension of that previous discussion. We’ll be using multiple backgrounds to create a cool cinematic effect where someone traverses a map while the vantage point zooms out. The best and most nerd-tastic way to show this off is of course to use the familiar tale of Frodo crossing Middle Earth to arrive at Mount Doom in Mordor. Let’s get started.
In web design we often focus on using Photoshop to create pixel perfect designs that are meticulously shaped and layered until they’re absolutely pristine. Repeated patterns, tiny strokes, complex gradients and reflections are trademarks of this design style.
But what if you’re going for something more organic? How can we use Photoshop to create complex and random particle arrangements that don’t look cheesy and contrived? The answer of course is to utilize scatter brushes. This awesome tool seems fairly simple on the surface but there’s a ton functionality and limitless possibilities to explore so even if you’re a Photoshop pro, read on to see some great ideas for how to use scatter brushes in your work.
The basic organization of a design project typically begins with a simple concept – the grid. Whether you decide to work within its constraints or intentionally move away from it, deciding how to use a grid tends to be one of the first steps in the design process.
Print designers have been working on grids since the first newspapers rolled off the presses hundreds of years ago. Most magazines also employ a grid; books are put together using the grid format. The grid can be part of a publication’s identity and helps create a sense of space and organization. Understanding the basics of grid design – from how it originated, to developing your own grid and using it in your workflow processes – will make working within vertical and horizontal constraints a snap.
“Synergy” – In business this is a term that has been so often abused that it has become a meaningless buzzword. Some of you may cringe just at the sound of it.
However, in design synergy is a powerful weapon that, when wielded properly, can make your designs much more interesting and creative. What is synergy? Where can we find some solid examples of synergy in design? How can you use synergy in your work? Read on to find out.
The holiday season is at its peak and for some lucky people in weather appropriate climates, winter is in full swing. I live in Phoenix so real winter, and consequently snow, is really just a distant dream. Thus I am forced to turn to nerdery to get my fix!
Today we’re going to go over a super simple CSS technique that you can use to make it snow on your website. It’ll only take you a few minutes at the most and it serves as a great introduction to using multiple background images and keyframe animations in CSS.
Today we’re going to discuss how design projects often require you to take a step back from who you are as a designer and forget your own personal taste while taking on the personality of a given brand.
The companies who hire you will have vastly different brands, strategies, and most importantly, customers. This principle is displayed quite prominently in the brands of major guitar manufacturers. Let’s dive in and see how Taylor, Fender, Dean, Gibson and more target the right customers through design.
“The supreme accomplishment is to blur the line between work and play.”
– Arnold Toynbee
The topic of today’s discussion is blurry photos. No, not the kind that you accidentally take because your kids won’t sit still. The intentional kind, the use of which can serve several practical purposes in design.
We’ll learn all about how to use blur effects to help make text more legible, direct the viewer’s attention, and just make backgrounds more fun. We’ll also take a look at some different types of blurs and how to properly apply selective blurring.
Today we’re going to take a step back from advanced discussions about CSS preprocessors and return to some good old basics. We’ll work up four super simple CSS buttons, each with a unique animated hover effect.
Follow along with me and create your own fun button styles. Also feel free to grab my code and use it on your projects. If you’re a CSS newbie looking for a good way to make your buttons more interesting, this article is for you!
Every designer, whether you’re in print or web, should possess a basic understanding of fonts and type. Using the right typeface and understanding how a font will impact your design can add that extra pop to print and digital projects and will set them apart from all others.
One important area to understand is the anatomy of type. Ascenders, descenders and serifs may sound like words from another language but are the basis for understanding the style of a typeface and how if relates to your project. Today we’ll take a brief run through of some terminology that you should know.
LESS, Sass and other CSS preprocessors represent an awesome way to extend CSS to be everything a programmer ever wanted. Variables, mathematical operations, mixins and a lot more make these tools invaluable to coders who can appreciate the benefits of typing less while accomplishing more.
One of the most major hurdles to getting started with these tools is simply figuring out just what the heck you’re going to do with them. We’ll help you out in a big way today by hooking you up with ten incredibly useful LESS snippets that you can drop into your projects today.
The Apple design team is widely regarded as one of the most talented group of designers in the industry today. The trends that they set are followed by not only every other major tech company, but by web designers in every conceivable product and service niche.
Follow along as we embark on an exciting journey through time and witness the evolution of Apple’s design style. You’ll get several amazing glimpses at Apple.com dating all the way back to 1997 as we witness the rise and fall of several important design trends.