Today we’re going to see if we can take a single image inserted via HTML and make it look like a messy stack of images using only CSS. The key: pseudo elements.
Along the way we’ll see how embarking on a project like this can quickly lead to some messy code and how we can combat that with some awesome DRY coding practices.
I love finding free tools that are capable of making my job (and yours) just a little bit easier. The web developer community is positively overflowing with talented people who are more than willing to share their creations with the world while asking nothing in return.
Today we’re going to look at one such tool from Erskine Design called Gridpak. With it we can quickly and easily generate our own responsive grid for building web pages that work well on lots of different screen sizes. It’s a little tricky to implement though so we’ll help you figure out how to set up your styles after you grab the download.
What’s the difference between an element and a tag? When should I use strong and when should I use bold? What the heck is the DOM? When you’re new to web design, one of the biggest hurdles to overcome is always the jargon. So many technical terms are thrown around flippantly and rarely explained outright that it’s easy to get lost.
This series will serve as a basic introduction to some terms that every new web designer should be sure to add to his or her vocabulary. This won’t be an exhaustive vocabulary list but rather a primer on a few terms that I found difficult to wrap my head around when I was a beginner. We’ll start with HTML today and move on to CSS in the near future.
We’ve been using floats for layout pretty much since we left tables behind. It’s a quirky solution that can often cause troubles, but if you know what you’re doing, it works.
One interesting alternative to floats that people are turning to more and more lately is to set the display value of an element to inline-block. What does this do exactly? How is it like a float? How is it different? Let’s dive in and see what we can discover.
I was recently discussing the merits and various features of CSS preprocessors with a colleague. We covered all of the basics: how it’s great to have variables and how mixins can save you an incredible amount of coding time. When the conversation turned to some of the more obscure features though things got interesting. When I brought up the various color operations, my colleague boldly proclaimed that no “real designer” could ever find a legitimate excuse for using this feature and not picking his own colors manually.
In the words of Barney Stinson, “challenge accepted!” Today we’re going to create an awesome faux 3D text effect with pure CSS and then see why it’s a lot easier to do it with the color operations in Sass or LESS.
The other day a friend of mine said something that caught my attention, “I’m trying to learn how to slice a PSD.” It’s a simple enough statement. As soon as he said it, I knew exactly what he was talking about, and yet, there was something in there that didn’t quite set right.
Upon seeing my hesitation my friend responded with a question, “Do we still slice PSDs?” Great question! For beginners, jargon isn’t merely jargon, it implies a process and suggests a method of action. For this reason, it’s often helpful for more advanced developers to define their terms in a way that is meaningful to others. Today we’ll dive into the theory behind the process of converting a PSD to to a web page and end with a discussion on the ups and downs of designing in the browser.
Once upon a time we relied purely on Photoshop to create fancy image effects. These days though we’re turning more and more to pure CSS to add eye candy to our images. Applying custom image treatments using code makes for an infinitely flexible workflow that’s easy to tweak at any time.
Today I’ll walk you through creating some extremely simple and fun CSS image tricks. From polaroids to vignettes, you won’t believe what we can pull off.
Recently, we published a piece titled 5 Incredibly Useful Tools Built Into Twitter Bootstrap, which took a look at the basic structure of Twitter’s Bootstrap framework and walked you through implementing some of the major components.
Twitter just released Bootstrap 2.0, an update so large it equates to a near full rewrite. There are quite a few new features and toys to play with, but the real headliner is that the framework is now fully responsive. Join us as we dig in to see how the new grid works and what other cool new features have been added. You’ll learn how to implement Bootstrap in your projects and will also pick up some extremely handy CSS techniques that you can use anywhere.
What do script typefaces suggest in a design? Will they make your design dainty or masculine? Timeless or retro? Goofy or sophisticated? Would you believe me if I said all of the above and more?
Today we’re going to look at a massive, handpicked selection of logos from Logopond that all use script and cursive writing in some form or another. The point is to showcase the incredible versatility of these types of fonts. The next time you’re designing a logo and wondering if a script is appropriate, you’ll be able to come back here and browse the various themes that different types of scripts can suggest.
Designing around large blocks of type can be tough and more designers are taking the “fewer-is-better” approach when working with columns and large blocks of text. When using a mass of type, such as in a book, text-laden website or print project, much of the emphasis is more on the readability than the actual look of the type.
Typefaces are important but even more important can be the number of columns used in combination with the words. The number of columns you use in a project can vary depending on a number of factors such as typeface and style used, type of project, font size and gutter width and proportion of other elements.
Masonry style layouts push the boundaries of creative layout techniques. I personally love how capable they prove to be at maximizing the efficiency of galleries containing items with varying heights. Every bit of screen space is used and the result can be downright mesmerizing.
Today we’re going to dive into the concept, ideas and popular techniques that are currently prevalent in masonry style layouts. We’ll learn three different methods for pulling off a masonry layout, discuss the ins and outs of each and make sure that the result is beautifully responsive and reflows based on browser width.
Today we’re going to grab some PSD pricing tables from Design Curate and try to convert them to pure CSS so you can easily drop them into your site.
It’ll be a super basic but fun exercise in bringing a static design to the web and you’ll learn plenty of fun stuff along the way such as how to style hr tags a create a superscript effect.