Most of the time you don’t think about math and design at the same time. Maybe you think these concepts are as far removed from one another as possible. But math can be an important skill for every designer.
From working on projects – there are plenty of design theories based in math – to calculating rates and payment for a client project, crunching numbers can be an important item in every designer’s toolbox. Today, we are going to look at some of the time-tested formulas that can be found in great design and ways that every designer can use math. So you might just want to grab a calculator!
Creative Commons is a tool that allows designers, writers, videographers and web developers to use content free of charge. From text to photos to video to sound, there are a variety of different types of available content that can be used when attributed appropriately.
But where can you find this content? Who can use it? And what really is acceptable to use? Today, we have a guide to creative commons works, proper use and attribution and tolls for helping you find great (and usable) content. (As an added bonus, all of the visuals used in this article were available under a Creative Commons license.)
Not that long ago we entertained a discussion about design plagiarism here on Design Shack, but what does it mean if your work is stolen? How do you even know if your work is protected? And moreover, what can you do about it?
That’s where the protection of copyrights and trademarks come in. But what are they? And how do they apply to your designed work? Let’s take a look.
Is nothing original anymore? It’s a concept we designers talk about all the time. All original ideas “have been used already”. But is that true? (I, for one, am not sure I actually believe it.) And if it is true are we all plagiarizing other designs on a daily basis?
All of these are ideas that are thrown around loosely, but have quite serious implications. So how do you know if your design idea was plagiarized? Or is a similar concept just the most sincere form of flattery? Let’s dig a little deeper today…
Sometimes when a project fails, it can be hard to get back on your feet again. We all take the occasional confidence knock from time-to-time. But to see continued success in this tricky industry, it’s important to be able to regroup and recover gracefully.
Here, we’ll look at ten things you can do to gain confidence as a designer. These tips can work for experienced designers after a troubled project, or new designers looking to break into the market. It’s advice worth taking to heart.
It’s the same routine every date night: “where are we heading for dinner?” To the web we go, looking for restaurants around us that whet our appetites. And the places we always seem to hit after this dinner search are the locations with websites that just make us hungry.
Certain techniques, from color to photos to imagery, are common among the best food-based websites. These sites employ a specific strategy designed to make you hungry. Today we’ll look at how photography, colors, shapes, vivid copy and simple design are used to make mouths of website visitors water.
The draw for selling digital stock goods is immense. You make something, upload it to a site, and watch the money flow in again and again through repeat sales. What designer, photographer or developer could resist?
Unfortunately, the reality of the situation is that there’s no guarantee that your hard work will yield you a single cent. In fact, it could very likely be a phenomenal waste of time! Today we’re going to discuss some tricks of the trade that will help your foray into this market is a successful one.
This is the third part in our series all about making fun of design related clichés that drive us all crazy. We’ve already picked on designers plenty with 5 Former Design Trends That Aren’t Cool Anymore and 5 Cliché Logo Design Trends to Avoid, now it’s time to turn around and give some attention to all the crazy things that clients say to their designers.
We put out the word on Twitter and asked for some of the worst things that you hear again and again from clients. The following are some of our favorites.
It’s a simple question: Do you need a style guide? And it has a simple answer: Yes. Any brand, company, blog or webpage that wants to create and maintain consistency and a professional feel should have a style guide.
Style guides are a must for any publisher with multiple employees. This is especially important if more than one person will work on any brand elements (from the website to printed materials), and to ensure that transitions between employees are seamless in the eyes of users. Today, we take a look at well-documented style guide from MailChimp, and highlight things you can take away in creating your own document for the first time.
Design jargon is everywhere. And you need to be able to speak the language. Working on digital projects has its own set of terminology. From dither to color values to fluid or fixed layouts, there are a few terms every designer needs to have a grasp of.
So we’ve made it easy for you, and put together a list of digital design terms you need to know. This list started as a top 10, but we added some bonus jargon for comparative purposes. How many of these terms are you already familiar with?
More and more designers these days are working in a variety of mediums — both digital and print. But it can take a different set of specifications to put together a successful project for each. Print design has its own jargon.
Understanding how printing works (and how to speak the language of printers) is important for any designer. Don’t think this applies to you because most of your business is web-based? Consider this: At some point a client will ask for print components to go with the website, whether they are business cards or posters or just a great handout for presentations. Knowing the printing basics and terminology will help you bridge the gap. Here are ten key terms you need to know.
Your public portfolio is one of the most important things you’ll ever design. It presents you to the world and, if you’re a freelancer, tends to play a major role in whether or not people choose to hire you.
Because of my role as the editor of Design Shack, I’ve viewed a ton of online portfolios and today I’d like to walk through some of the weaknesses I see time and time again. Read on to see if you’ve made some of these mistakes.