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We’ve been using floats for layout pretty much since we left tables behind. It’s a quirky solution that can often cause troubles, but if you know what you’re doing, it works.
One interesting alternative to floats that people are turning to more and more lately is to set the display value of an element to inline-block. What does this do exactly? How is it like a float? How is it different? Let’s dive in and see what we can discover.
Building a website can come with a few unexpected hiccups, one of those being color. Understanding color choices, and how colors may render on different computers is the first step to ensuring that your site has the look you intended.
In addition to finding and selecting colors that work for you, it is wise to develop and manage a color scheme for your project. It is simple to create a set of swatches in common image software such as Adobe’s Photoshop or Illustrator and organize colors in such a way that they are easy to find and use.
Once upon a time we relied purely on Photoshop to create fancy image effects. These days though we’re turning more and more to pure CSS to add eye candy to our images. Applying custom image treatments using code makes for an infinitely flexible workflow that’s easy to tweak at any time.
Today I’ll walk you through creating some extremely simple and fun CSS image tricks. From polaroids to vignettes, you won’t believe what we can pull off.
What do script typefaces suggest in a design? Will they make your design dainty or masculine? Timeless or retro? Goofy or sophisticated? Would you believe me if I said all of the above and more?
Today we’re going to look at a massive, handpicked selection of logos from Logopond that all use script and cursive writing in some form or another. The point is to showcase the incredible versatility of these types of fonts. The next time you’re designing a logo and wondering if a script is appropriate, you’ll be able to come back here and browse the various themes that different types of scripts can suggest.
Designing around large blocks of type can be tough and more designers are taking the “fewer-is-better” approach when working with columns and large blocks of text. When using a mass of type, such as in a book, text-laden website or print project, much of the emphasis is more on the readability than the actual look of the type.
Typefaces are important but even more important can be the number of columns used in combination with the words. The number of columns you use in a project can vary depending on a number of factors such as typeface and style used, type of project, font size and gutter width and proportion of other elements.
Masonry style layouts push the boundaries of creative layout techniques. I personally love how capable they prove to be at maximizing the efficiency of galleries containing items with varying heights. Every bit of screen space is used and the result can be downright mesmerizing.
Today we’re going to dive into the concept, ideas and popular techniques that are currently prevalent in masonry style layouts. We’ll learn three different methods for pulling off a masonry layout, discuss the ins and outs of each and make sure that the result is beautifully responsive and reflows based on browser width.
Today we have yet another awesome step-by-step CSS project for you! This time around we’re going to build a super useful expanding vertical navigation menu. It’s a great way to hide a lot of links in a fairly small space and the animations will add a nice touch to your site.
Even if you’re a complete beginner, you should be able to pull this off. I’ll guide you along every step of the way and explain how each chunk of code works so you can implement these same techniques in future projects and deepen your understanding of CSS. Let’s get started!
Follow along as we create a simple and fun download button using some fancy CSS3. Our button will use lots of fun goodies including border-radius, box-shadow, linear-gradients, z-index and transitions to achieve a unique double sliding drawer effect on hover.
As we go, I’ll discuss why some techniques that you might think to use should be avoided. Transitions are tricky to work with and are quite prone to refuse to work with certain properties. Read on to find out more.
Sometimes the most daunting part of a new project can be the brainstorming phase. Thinking of color schemes and font selections can be inspiring in your head, but really tough when you start mixing and matching elements on paper or for your website.
Understanding some of the history of fonts and typography can help make any project a little easier. Learn how to pair different typefaces to get desired effect every time and learn what things to avoid. Sharp typography and font selections can really make or break just about any project.
Today we’re going to examine a very specific example of good design and discuss what makes it so successful. Along the way we’ll discover the importance of good design and how to structure experiences that turn users into addicts.
We’ll hone our sights in on Pinterest and perform a seriously in-depth analysis to see why this seemingly generic idea seems to stand so far out from the competition. The ultimate conclusions will equip you to design experiences that your users will absolute love.
With a new year always comes new branding attempts. Organizations want a fresh face to signal progress and ongoing evolution and branding is the vehicle that designers use to achieve this goal.
As we all know quite well, this is a risky venture with large entities. If it goes well, your customers (or fans in this case) love you for it. If it doesn’t, you’re setting yourself up for plenty of public ridicule. Today we’re going to venture into the world of sports and check out three new Major League Baseball team logo designs. Which teams are updating their look for the new year? Were they successful or is the result a surefire embarrassment? Read on to find out!
You’ve been there a thousand times, staring at a big empty canvas that simply doesn’t seem to work with the photo that the client has provided. Perhaps you have a vertical space and a horizontal photo (or vice versa), or maybe the image is simply too small to resize without unacceptable quality loss. What now?
Today we’ll go over some tricks of the trade and teach you how to cope with images that don’t fit where you need them to. The next time you run into a problem, you’ll be ready!