Do you ever get stuck spinning your wheels on a project because of missing font information? From elements with missing source files to clients that want a font that “looks like (insert company name here)”, you need a font identification tool.
WhatFontIs is the best identification service to help you find the fonts you need. Today we’re diving in to see how it works, and what you can accomplish with it.
A black and white design scheme can be one of the most striking combinations for a project. The deep contrast and simplistic nature of these colors (or lack thereof) provide plenty of opportunities to explore other techniques to make the most of the design.
Black and white designs have always been pretty popular, shifting most recently to more minimalist styles with a mostly white background and black elements. But as you’ll see from this collection of stunning black and white design projects, there are so many other options to explore.
An injection of realism can take a design project to the next level. With so many VR and realistic style effects gaining popularity, it is no surprise that 3D typography is part of this design trend.
Three-dimensional typography has extra depth and can be a great display option. While 3D type isn’t necessarily made for readability, it is a fun design trend that is worth a try. Here’s a look at how to get started with 3D typography (with some pretty cool examples for inspiration).
Graphic design is my passion. Seriously. Isn’t it yours too, if you are taking the time to read Design Shack? Whether you use the phrase seriously or in jest, there’s a pretty fun movement on the web of memes that depict this statement. And they probably don’t look like what you’d expect.
The lesson in this ironic meme is that you need to maybe take it down a notch. Graphic design should be fun.
A placeholder image service is a quick and easy way to find images to insert into web projects so that a wireframe or prototype looks more real. It can help other people envision the project and help keep it moving forward.
Most designers try to do everything they can to help a client or non-visual team member see a project during the design, mockup and prototyping process. Often that means putting something together before the content itself is complete.
Here, we’re going to look at four different (and unique) placeholder image services for designers to help you move projects along as efficiently as possible. (Plus, we have a list of reasons why a tool like this might be helpful.)
Everything about my childhood seems to be cool again. The Netflix hit Stranger Things seriously evokes feelings of the 1980s, people are buying classic Nintendo game consoles again, and everything 80s is totally rad, even when it comes to design projects.
And what makes that 80s connection quickly? It’s typography. This decade definitely had a pretty distinct feel. We’re taking a look at the 80s retro font trend with plenty of great typographic options for your projects.
So you think you want to be a UX designer? But maybe you don’t know exactly where to start. Whether you are a student thinking about the future, or in the midst of your design career looking to make a change, the process is pretty similar.
If you put in the work and time, you can develop your skills and start doing more UX work. Today we’re exploring what a UX designer does, along with tips, ideas, and suggestions for how to start out on your journey to becoming a UX designer.
Picking the perfect color palette can be a little nerve-wracking. It’s something you’ll be committed to for some time, so you’ll want to get it right! Today we’re looking at how to create a color palette, with plenty of tips and advice.
There are a few things that designers who don’t sweat about color always do (and think about), to help ensure that their palettes will hold up over time. Here are some of their tricks of the trade, so you can create a color palette without stressing out!
Purists say that you should never alter typography. Lettering should appear as intended by the type designer, or you should select a different font altogether. While this is mostly true, the exception is in the sliced text trend.
The nifty effect makes type elements look like they’ve been cut with a precision tool and can add visual interest to logotypes, headlines and simple text blocks. Sliced text effects can vary from super subtle (such as a small bit of a letter that’s missing) to major parts of words missing altogether.
The thing to keep in mind when using sliced text is that words must always be readable – what point is there otherwise? – and you should pay close attention so that unintended letter combinations or words don’t appear due to slicing. Here’s a look at how to make it work for you with some examples of designs that do it well.
A classic wedding monogram is a design element that almost any couple can incorporate into their wedding design and stationery. From use in invitations and mailings to a shared post-nuptial monogram, creating a classy wedding logo or monogram element can be a great touch.
Here are a few tips to help you make your own wedding logo or monogram including templates, ideas, and graphics to help you get started fast.
Are you planning on designing a poster with a retro or a vintage vibe? Not sure where to start? Then browse our hand-picked collection of letterpress posters and letterpress templates to find inspiration.
Letterpress is one of the oldest printing techniques that date back to the early 1440s. Back in the day, this technique was used to easily print many copies of a poster, flyer, and other designs with photo and letter-etched plates.
Even though it’s no longer widely used by printers and publishers, the technique and the unique design style is still celebrated by artists and designers. It’s especially popular among poster designers. In this collection, we’re featuring elegant and modern letterpress poster designs.
Adding effects to typography can be a source of heartache for designers. Clients demand a drop shadow or embossing, and you’re stuck with text effects that threaten to ruin a project. What you need is an arsenal of text effects that don’t suck so you can help the client pivot to something a little more classy.
The trick to all of these effects is using them with purpose. Good typography doesn’t need “help.” If a font isn’t working alone, it’s not going to work with a bunch of techniques added either. (You’ll only make something bad even worse.)
The best text effects are nearly invisible to non-designers. Or text effects are used to add meaning to typography or lettering. Here are a few tips for using text effects that don’t suck with some pretty cool examples.