So you need to design a logo. Where do you start? Shapes? Typography? A grid?
A logo grid or construction guide is a popular starting point for many designers looking to create a logo. The use of a grid system, especially for a design that might often render at extreme sizes – very large or small – can help you create something that has visual harmony, an organized aesthetic and purposeful design.
There are a lot of block and card style designs out there right now. For designers, they are both trendy and functional. The look is streamlined and simple and in terms of website design, works great in responsive frameworks.
The root of this design trend is modular design. And regardless of what you think, it’s not new. Modular design is rooted deep in design theory and has been used by a number of designers for a long time. Today we’re delving into the background, and practical applications, of modular design!
Sometimes websites make me grouchy. I click with anticipation and then… design disaster. Admit it, you have grumbled at the screen more than a few times, too.
From poor type to missing links to usability issues, I am going to share the mistakes that just drive me absolutely bonkers. Take heed! These are things to address and fix on your own site, before someone else comes across them!
What makes something on a screen or canvas feel real? The answer is simple. It’s human connection. People want to interact with and use designed elements that work in the physical world in a way that mimics reality.
It’s the case study for human-centered design and why it matters so much in every project every design takes on. This human connection is more than physical, it also creates an emotional bond between the user and the design. That’s where you begin to create things like loyalty to a brand and a connection to users that goes beyond the screen. Here are a few ways you can use design techniques and tools to help you get there.
Everywhere you turn, another designer is releasing a project featuring a minimalist design style. This focus on space, simplicity and beautiful typography is refreshing. And it’s a great option for a number of design projects. That might be one of the reasons minimalist design is so popular.
But the trend is not brand new. Minimalism has been around almost as long as design itself. It’s a technique that ebbs and flows, but always remains as one of the classic styles, making it a design choice that almost always works.
Interaction design might be the most talked about design concept of 2015. It’s something you should be thinking about and planning for in all of your digital projects.
But how can you make the most of interaction design? How can you design something people want to interact with? While some of those answers are changing with technology, one element remains the same – people want to use design that is intuitive, functional and aesthetically pleasing.
How do you feel about asymmetrical design? That simple question can sometimes spark a lot of debate among designers. Asymmetrical design can be one of the more complicated techniques to pull off, but when done well results in beautiful and eye-catching designs.
While the definition of asymmetry is the lack of symmetry or equality between two halves; it is not a lack of balance as some wrongly assume. Designers can use asymmetry to create balance and harmony even though two sides of the design do not mirror one another. Here’s how to get started.
WordPress powers a large percentage of the web, and it’s a famously easy-to-use content management system. But creating immersive, in-depth pages and layouts can be a tricky process.
Visual Composer is a plugin that lets you take full control over your WordPress site, and build any layout you can imagine. It’s all based around adrag and drop page builder interface, doesn’t require any programming knowledge, and is really simple to get started using. Today we’re going to be taking a look at how it works, and sharing a few examples of how it’s powering some lovely WordPress designs!
The shapes of objects in your design may be sending a message to users that you aren’t even aware of. Whether you put an image inside a square or circle or triangle can have an impact on what people think about that image.
Sometimes a shape is more than just a group of connected lines. The use of shapes can be obvious or subtle and appear within images or as elements in a design. Here, we will look at common shapes used in design projects and the signals they may convey.
When it comes to design projects, sometimes we (designers) get caught in a trap: creating a design without understanding the content. The first step to creating an outstanding project – before you ever open a piece of software – is to read over the content. Then think about the design and how the copy goes with it.
Does the copy actually need to match the design? Should designers help write the copy? Yes, most definitely. (As a bonus, all images in this post are examples of great copy and design pairings from the Design Shack gallery.)
Regardless of when your company’s fiscal year ends, you probably want to start thinking about the dreaded annual report today. Yes, “dreaded.” But it does not have to be. While annual reports are often seen as a design drag, there are plenty of ways to turn this report into a fun and memorable design project. And with better design comes more reading and retention, two positives for your brand.
You need to start thinking about it now. Don’t wait until the report hits your desk to determine a design strategy. Start talking to your team about your story for the year and how to create an annual report that will get people talking.
Card-style architecture is one of the biggest things in web design, and mobile design in particular. From apps to responsive websites, the card-style format is popping up everywhere.
And for good reason. Mobile card design looks nice, works well on a variety of devices and creates distinct organization and a method for content delivery. That’s why many large, well-known brands are using the card format and many smaller design and development groups are following suit.