Click. That sound means you’ve done your job. The user has viewed your page and taken the action that you wanted them to.
How is this achieved? Should you be thinking about this goal more as you structure your designs? What mistakes should you be careful about avoiding? Read on to find out.
It’s always fun to really dive into a popular design trend and see who’s doing it, how it works, what it communicates and how you can try it for yourself.
Stick with us as we do exactly that with those trendy doodle designs that you see all over the web right now.
In today’s creative and technical environment, the terms “UI” (User Interface) and “UX” (User Experience) are being used more than ever. Overall, these terms are referring to specialties and ideas that have been around for years prior to the introduction of the abbreviated terminology.
But the problem with these new abbreviations is more than just nomenclature. Unfortunately, the terms are quickly becoming dangerous buzzwords: using these terms imprecisely and in often completely inappropriate situations is a constant problem for a growing number of professionals, including: designers, job seekers, and product development specialists. Understanding the proper separation, relationship and usage of the terms is essential to both disciplines.
Ambigrams are a particularly complex type of typographical art that can be read identically in different orientations. They typically take the form of a word that reads the same way upside down as it does right side up.
Today we’re going to see what’s involved in creating ambigrams and walk through creating a basic one on our own.
The story is as old as graphic design itself: you have two different sections and you need a way to visually separate them. As a designer, I frequently spot myself reverting to the same old one or two tricks to pull this off. Why not mix it up a bit?
Today we’ll show you ten awesome ways to create two distinct sections of content. Each example is from a real website so you can click through to see it in action.
Does learning the requisite software make you a designer? Just because you know CSS and HTML, can you really call yourself a web designer?
Today we’re going to explore the idea that, while you may be a Photoshop wizard, you might lack in fundamental design training that could drastically help you in your every day career.
Today we have a small collection of completely random but very useful design tricks that you should keep in the back of your mind the next time you need a new idea.
We’ll be showing you how to slice up some text in Illustrator to give it an edgy feel and how to build a metal slider and a curled sticker in Photoshop.
This article will walk your through the process and logic of designing a basic but attractive flyer. We’ll look at how you can plan your content, find and implement some quality images and handle the alignment of a significant amount of content while not sacrificing too much of the visual appeal.
Here at Design Shack we can’t get enough of good color schemes. We recently discussed some Awesome and Unusual Places to Steal Color Palettes From and today we’ll follow up that discussion with some tips on how to build your own awesome color sets in Adobe Illustrator.
We’ll go over the extreme basics of working with color in Illustrator and jump into how to use the excellent built-in Color Guide to get you on the path to lightning-fast generation and manipulation of custom color schemes.
Sometimes you have a perfectly good layout, but your design needs a bit something extra to finish it off. Unfortunately, it’s easy to get stuck and become completely void of ideas.
Today we’re going to help you solve this problem by highlighting five random design ideas that you can incorporate into your back of design tricks. Let’s get started!
Graphic designers have evolved an amazing trade. With so much information readily available it’s possible for high school students and even younger artists to buckle down and study the digital arts. From this we’ve seen a massive collection of astounding logos and trends in recent years.
More commonly it has become popular to portray minimalist trends in logos by slimming down content. These include solid-color backgrounds, basic text effects, vector shapes, and low-res icons. Pixel designs have also become popular amongst the techie crowd.
Below I’ve examined some of the new-age trends emerging with logo design. Hopefully these ideas can inspire a new generation of designers to pick up the trade. Most of these effects can be recreated in Adobe Photoshop, or Illustrator if you’re more comfortable. Spend some time browsing logo galleries for more in-depth inspiration.